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Max Lifchitz / North/South Chamber Orchestra
2017
Mr.
Green’s Concerto for Clarinet and Strings,
revised from an earlier work for saxophone and string
orchestra, opened with a relaxed lyricism reminiscent
of Hollywood’s take on Copland’s music...
...Arthur Campbell was the eloquent soloist, sounding
especially strong in his rich lower register.
~ The New York Times
In Mr.
Lifchitz’s “Night Voices No. 16,”
for clarinet, strings and percussion, Mr. Campbell
was more clearly the focus. Unaccompanied for long
stretches, his clarinet sang, purred and growled
ornate soliloquies during the fitful work, as strings
murmured and a percussionist punctuated the flow.
~ The New York Times
Quartets
for Clarinet and Strings. Carl Philipp Stamitz.
Audite. 2013
Arthur
Campbell, clarinet, Gregory Maytan, violin, Paul
Swantek, viola, Pablo Mahave-Veglia, cello. Recording
producer: Ludger Bockenhoff. Executive producer:
Ludger Bockenhoff. Editing: Justus Beyer. Recorded
on Patricola, Virtuoso clarinets.
"This
may be universally the sunniest music composed of
the period, and there is not a low spot in the repertoire.
This SACD-hybrid
recording has brilliant sonic fidelity that does
not sacrifice warmth for digital perfection, yielding
readily this grandly paced music, well- dispatched
by Campbell and company."
~AllaboutJazz.com
Music
for Clarinet and Piano
Audite. 2012
Arthur
Campbell, clarinet with Helen Marlais, piano. Banff
Centre. Recording Engineers: Jeremy Tusz and Etienne
Decreuse. Sound Supervisor: David Gleeson. Producer:
Benjamin Broening. Executive producer: Ludger Bockenhoff.
Winner of Fono Forum’s Star of the Month and
Stereo Magazine’s CD of the Month.
Campbell
and Helen Marlais were nominated for the 2013 International
Classical Music Awards.
J.
Brahms: Clarinet Chamber Music
[Super Audio CD] Audite. Oct. 2005
Arthur
Campbell, clarinet, Frances Renzi, piano, Denis Raclot,
cello, Jean Pascal Meyer, piano. November, 2005. Berlin,
Germany. Winner of critics choice awards: Pizzicato
Classics' Supersonic (Belgium), CD Compact’s
Recomendado (Spain), and Opus HD’s Magnifique
(France).
To
order, or read more about these recordings visit:
www.audite.de
Through
Ripple Glass
Everglade Records. 2013
Arthur
Campbell, solo clarinet, with electro-acoustic processing/accompaniment
by Benjamin Broening, Kui Dong, Elizabeth Hoffman,
Colby Leider, Maurice Wright. Miami, Florida.
Music
from the Third Practice
Centaur Records.
Compact
Disc Recording. Recorded November, 2002. Released
2003. Arthur Campbell, clarinet, with F. Gerard
Errante, clarinet, Helen Marlais piano, Benjamin
Broening, electro-acoustic processing, Natash Barrett,
digital processing. Centaur Records is a leading
label in contemporary and early music.
Premieres!
Arthur
Campbell, clarinet, Helen Marlais and Dmitri Novgorodsky,
piano. Peterborough, NH: Gasparo Records, 2001.
Compact Disc Recording.
Features
pieces written for Campbell by:
Shulamit
Ran Three Scenes for solo clarinet
Augusta
Read Thomas From Icarus with Gusto
Bruce
Saylor Cantos from the Inferno
Pieter
Snapper The Madeleine in the Mercury
Andrew
MacDonald Sonata for Clarinet and Piano
Chin-Chin
Chen The Turning Point
Music
from the ICA '96
International
Clarinet Association. Shawnee Mission, KS: Released
1997. Compact Disc. Campbell, Arthur, clarinet
Lignon, by P.M. Douglas. Freeman, James -
Air for Solo Clarinet, by Philip Collins.
Rheude, Elizabeth and J. Hershberger Kaleidoscope
for Clarinet and Piano, by James Fry. The Prestige
Quartet Three Sketches, by Augustin
Kubizek. Trio Chalumeaux Lexington Trio,
by Norman Heim. Williams, Nathan and Audrey Andrist
Intimations, by Sebastion Currier.
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